Dr. Steven Monrotus was born in 1949 in Saint Louis. When he was one year old his parents moved to Affton, Missouri, where he grew up. Following graduation from the Affton public schools in 1967 he studied at Southern Illinois University
and Washington University where he earned bachelor and doctoral degrees, respectively. He worked as a trusted and respected doctor of dentistry in Missouri for 41 years until his retirement, was listed in the Guide To America's Top Dentists, taught part-time
at Saint Louis Community College, and served on the courtesy staff of several hospitals.
Dr. Monrotus has given of his time to serving youth. During the 7 years he was active with the Greater Saint Louis Council, B.S.A. he served as an assistant
scoutmaster, unit commissioner, assistant district commissioner, and merit badge counselor in 12 separate skill areas. He also spent many collective years in service to Missouri DeMolay and Missouri Job's Daughters and received from the former the Honorary
Legion of Honor. He is a member of many appendant Masonic and Trinitarian Christian organizations and has received several honors for his charitable work and community service.
As timing would have it Dr. Monrotus is the only Freemason in Missouri
history to have served as Grand Musician/Organist for the Grand Lodge A.F. & A.M., Grand Chapter R.A.M., Grand Council C.M., and Grand Commandery K.T. of Missouri, General Grand Chapter R.A.M.I., General Grand Council C.M.I., York Rite Sovereign College
of North America, and the Provincial Grand Court for the United States of America, Masonic Order of Athelstan. At the present time he serves in all eight of these offices, simultaneously. He is also the first and only musician to have performed
all 5 armed services songs/hymns as a tribute to American veterans during an annual communication of the Grand Lodge of Missouri and at a triennial convocation of the General Grand Chapter, Royal Arch Masons International.
Dr. Monrotus also serves as
Principal Organist of the Saint Louis Scottish Rite Cathedral and holds memberships in the American Guild of Organists (A.G.O.), Saint Louis Theatre Organ Society, and American Composers Forum. He is on the Panel of Advisors for the Committee on the
New Organist (CONO) of the A.G.O., and his travels have taken him to or through 35 states and 2 Canadian provinces to perform at over 40 Masonic venues. As a composer of Organ music he has 5 major collections of original compositions to his credit.
These have been published online and archived in electronic form with several libraries. A data CD containing PDF files of these scores suitable for download and printing along with their computer-generated audio clips are being offered as a gift in
exchange for support (suggested donation $20) of the initiative for the preservation of the historic 1924 W.W. Kimball concert organ of the Saint Louis Scottish Rite Cathedral. He is also the webmaster of OrganBench, an online conceptual learning blog
for new organists offering a wealth of information, guidance, and encouragement.
It was his particularly good fortune to have studied Organ privately outside his school district and colleges with Robert Thompson, James Frazier, Henri DeKiersgieter,
Dr. Mario Salvador A.A.G.O., and, in later years, John Weissrock. His compositions are in various styles and pitched at all levels from beginner to advanced. Ten of the pieces are for hands only and are playable on a melodeon (reed organ) or piano.
Some of his compositional vocabulary is based upon the methods that Louis Vierne used, and 19 of the pieces are either stand alone fugues or fugues paired with a prelude of some sort. Four voices moving in triple or quadruple counterpoint, long subjects,
at least 2 countersubjects, rapid development, and some bold moves are all part of the signature style of his fugue-writing.